SC Low Hwee Bin EL Melissa Eng HE Marianne Wong/ Warda Shariff KT1 | KT2 Recess (LS) Without teacher MA Koh Gim Koon CE2 Nur liyana Bte Noordin MT Shieh Siao Yan Carol/ Wang Yong/ Nurul Fadlun/ Su Ai Rong (RT) MT1
Tue GEO Pervin Kaur EL Melissa Eng HIS Shanthi d/o Ramasamy Recess (LS) Without teacher SC Low Hwee Bin ART Mardiyana Bte Rosilie CE1 Koh Gim Koon/ Shanthi d/o Ramasamy IT LESSONS 06 Jul 10 Noor Hanis (AED) COM Lab3 IT LESSONS 13 Jul 10 Without teacher
IT LESSONS 20 Jul 10 Without teacher
IT LESSONS 27 Jul 10 Without teacher
IT LESSONS 06 Jul 10 Noor Hanis (AED) COM Lab3 IT LESSONS 13 Jul 10 Without teacher
IT LESSONS 20 Jul 10 Without teacher
IT LESSONS 27 Jul 10 Without teacher
IT LESSONS 06 Jul 10 Noor Hanis (AED) COM Lab3 IT LESSONS 13 Jul 10 Without teacher
IT LESSONS 20 Jul 10 Without teacher
IT LESSONS 27 Jul 10 Without teacher
IT LESSONS 06 Jul 10 Noor Hanis (AED) COM Lab3 IT LESSONS 13 Jul 10 Without teacher
IT LESSONS 20 Jul 10 Without teacher
IT LESSONS 27 Jul 10 Without teacher
Wed EL Melissa Eng HIS Shanthi d/o Ramasamy MT Shieh Siao Yan Carol/ Wang Yong/ Nurul Fadlun/ Su Ai Rong (RT) MT1 GEO Pervin Kaur Recess (LS) Without teacher HE Marianne Wong/ Warda Shariff AS/IPW/CE1 Koh Gim Koon/ Shanthi d/o Ramasamy MA Koh Gim Koon LT Chen Liwen
Thu SC Low Hwee Bin EL Melissa Eng LT Chen Liwen Recess (LS) Without teacher CCM Wang Yong/ Shieh Siao Yan Carol/ Nurul Fadlun/ Hamisah Bte Shekh Nahji/ Su Ai Rong (RT)/ Muhamad Razali MT1 CE2 Nur liyana Bte Noordin MT Shieh Siao Yan Carol/ Wang Yong/ Nurul Fadlun/ Su Ai Rong (RT) MT1 MA Koh Gim Koon
Fri SC Low Hwee Bin PE Lydia Soh/ Ow Yong Choo Ee/ Chong Beng Tit/ Chew Wei Lip/ Ng Lee Wei John MA Koh Gim Koon Recess (LS) Without teacher MU Eudora Tan MU RM EL Melissa Eng CLASS BONDING Koh Gim Koon/ Shanthi d/o Ramasamy
Thursday, May 6, 2010 @ 7:38 AM
Dear 1E2,this may help you in your literature exam tmr Chapter 1: Jesse Oliver Aarons, Jr.Summary Jess Aarons, an eleven-year-old boy living on a country farm with his parents and four sisters, has nurtured one dream all summer long. When school opens, he longs to be the fastest runner in the third, fourth, and fifth grades. Each day at recess races are organized among those three grades, and now that Jess is in fifth grade and at the top of the ladder, he is confident that he can outrun them all. Bridge to Terabithia opens with his morning training run in the cow pasture. As he runs, he thinks excitedly of the race coming up, and basks in the idea of winning and distinguishing himself in front of everyone. He pictures the amazement of his schoolmates and the admiration of his family.
However, he is called sharply back to reality when his mother calls him in to breakfast, complaining that he has run too long and will have to milk the cow when he has finished breakfast. Coming into the house, he is heckled by his mother and whined at by his older sisters, Ellie (the oldest) and Brenda (the second oldest), who make nuisances of themselves in general by pestering their mother for money for school and bickering over the chores. We also meet May Belle, Jesse's six-year-old sister, who admires Jess a great deal and gets along better with him than do the others, and Joyce Ann, his four-year-old sister who is young enough to be simply a pain in the neck. Brenda and Ellie coax money out of their mother for back-to-school shopping, which leaves Jess to do all the chores, "as usual," he thinks grumpily.
At the end of the chapter, May Belle brings Jess the news that a new family is moving into the "old Perkins place", which is the farm next door to theirs. Jess shrugs off the news and carries on with the chores.
Analysis In the opening chapter of Bridge to Terabithia, several important themes are introduced breezily, themes which will be developed more fully throughout the course of the novel. One of the most telling scenes in the chapter comes when Jess imagines the reaction of his family and friends when he wins the races at school. Much of this is easily understandable, and almost generic: his sister bragging about him, and his competitors' stunned faces. But there is a particularly important detail is given when Jess imagines his father's pride in him. Jess imagines a perfect domestic scene in which his father forgets all about how tired he is from working all day and wrestles and plays with Jess, which is a wistfully imagined scene of father-son companionship and bonding. He finishes by saying "Old Dad would be surprised at how strong he'd gotten the last couple of years," clearly demonstrating that Jess has not shared such a scene with his father in quite awhile. As the novel progresses, we learn that Jess' father is often too preoccupied and tired to pay much attention to Jess, and when he does, he looks on him as a man to be relied upon and who ought to have put his childhood aside, not as a boy who needs close companionship and nurturing. All this is encapsulated in Jess's desire to win the race and show his father that he is at once a man capable of competing athletically and a boy deserving of praise.
The scene at the breakfast table likewise demonstrates the Aarons family dynamic at a glance. Pleasant conversation and companionship is nonexistent. Brenda and Ellie bicker the whole time and Jess's mother only takes notice of him to hound him about the chores. Jess hardly seems to exist for his family and he is never been able to find a true niche where he can be happy, or been able to explore his own identity. Everyone in the family is too wrapped up in his or her own problems and concerns. Jess is shown to be somewhat adrift, searching for his own identity as he approaches puberty, but unable to find himself amid the concerns and annoyances thrust upon him by his family. This is Jess's situation before meeting Leslie; ironically, he pays little attention to the arrival of her family in the house next door, but her advent will provide the solution to many of Jess's problems.
Chapter 2: Leslie BurkeSummary Jess finishes the chores with his mother. Today she has been canning beans, and the resultant heat from all the boiling has put her in a terrible mood and worn Jess out. He makes dinner for his little sisters, and then stretches out to draw for a little while. Jess, we find, has both a talent and a passion for art, a talent which nobody appreciates except for the music teacher at school, Miss Edmunds. Jess is deeply in puppy love with Miss Edmunds. She is like a breath of fresh air to him in the squalid atmosphere of his school, Lark Creek Elementary, which is very much like an extension of his home environment. At school, the teachers are prone to nagging and the students are generally catty and demonstrate little intellectual curiosity or desire to learn. Compared with the rest, Miss Edmunds is extraordinarily sweet, kind, and beautiful. Most of the kids pretend not to like her, citing her hippie-like aura, but Jess adores her and knows that, deep down, so do the others. Music class is the only time at school when the students are allowed to let their hair down and relax and have fun.
Jess shares a special relationship with Miss Edmunds. She gives him the positive feedback and attention that he cannot find anywhere else. She is the only person he has shown his art to since he attempted to show it to his father years ago, when his father became angry and more or less accused Jess of being a sissy. Miss Edmunds, however, assures Jess that his work shows real promise and offers to help him in any way she can. She senses that he is an unusual child who is out of place in the world of Lark Creek Elementary—"the proverbial diamond in the rough," she calls him. Although Jess feels that description is more suited to Miss Edmunds herself than to him, he basks in the feeling of being cared for and appreciated.
Again, Jess is called out of his reverie by a call from his mother, a reminder to get on with the milking. As he milks, the rest of the family trickles in, Ellie and Brenda from shopping, and his father from work. Jess watches, envious, as May Belle runs to her father and is picked up and hugged and kissed. As Jess puts it, "it seemed he had been thought too old for that kind of thing since the day he was born." Throughout the night, the only thing his father says to him directly is "Mighty late with the milking, aren't you, son?"
The next morning, Jess goes out for his morning run, as usual. He is interrupted by a comment from a person sitting on their fence—"If you're so scared of the cow, why don't you just jump the fence?" At first, Jess cannot tell if the person speaking to him is a boy or a girl. He or she introduces him/herself as Leslie Burke, one of the new neighbors. Eventually, Jess comes to the correct conclusion that Leslie is a girl. He is more or less indifferent to her, and he shrugs her off, and goes back to the house to finish the chores.
Analysis The introduction of Miss Edmunds gives us our first glimpse of the world beyond this rural, somewhat backward society in which Jess lives. Miss Edmunds's leanings toward the hippie way of life, demonstrated by the songs she teaches the children, like "Blowing in the Wind" and "Free To Be You and Me." She is refreshingly different from the tenor of local society, which is generally poor, uneducated, and imbued with a roughness and brusqueness generated by unfavorable circumstances. Miss Edmunds brings the world beyond into this economically unfortunate area, carrying with her an indefinable sense of broadened horizons and carefree happiness. Jess's description of her as a "diamond in the rough" is quite apt; this is the role she continues to play throughout the whole of the novel.
Leslie's androgynous appearance is given some attention here, and it foreshadows an important theme that is to be developed more fully throughout the course of the novel. In the eyes of the world, Jess's friendship with Leslie is novel because cross-gender friendships are rare at that age. Jess's peers and siblings see Leslie as a girl, complete with all that the name implies. However, Leslie is not a "girl" in that sense in Jess's eyes. Rather, she transcends such standard definitions and perceptions of gender. At first, Jess cannot figure out if she is a boy or a girl, and it is quite fitting that he should be confused about this initially, because Leslie simply does not conform to society's prescription of femininity. It also foreshadows the way that Jess and Leslie can be platonic friends without the slightest hint of romantic or budding sexual tension. Jess just doesn't see her in that light.
This also points up the essential uselessness of such gender demands. Jess faces these demands every day, starting with his father's expectation that he will possess certain "masculine" qualities and eschew other "feminine" attributes. Jess is constrained in his search for individuality because he does not fit into some ready-made masculine model. His artwork is a good example of his confusion. Despite the clear talent that he demonstrates, his father is scornful because drawing is not a "boy's" pastime. Also, Jess's father's lack of demonstrated affection towards Jess is likewise a good indicator of his view that Jess is a young man and that men aren't given to such displays of emotion and affection. This is probably why Jess is so anxious to win the races at school, because running happens to be a skill of his that is coincidentally identified with masculine qualities. In winning the races, he will prove to his father than he can be a man's man after all. Nevertheless, this expectation of manliness clouds Jess's ability to discern who he really is. Leslie, however, is wholly apart from this struggle. Her short hair and boyish strength liberate her from the need to be either feminine or masculine. She is allowed to discover who she really is without reference to arbitrary gender designations
Chapter 3: The Fastest Kid in the Fifth GradeSummary It is the first day of school and back to the grind for Jess, whose only consolation is that the first race of the year will take place that afternoon. He comes to class to find that Leslie is in his class as well. Already she is a target for malicious taunting, since she has come in cutoffs and a T-shirt, apparently not realizing, or else not caring, that the rest of the students show up for the first day of school in their Sunday best. Jess lives through the morning in a fever of anticipation, waiting for the races at recess.
After a morning's worth of endurance of typical teacher irritability and peer annoyances, recess begins and the races are about to start. Jess is watching quietly as Gary Fulcher bosses everyone around when Leslie comes up to stand beside him. Gary begins to get too high-handed, running the races autocratically and unfairly, so Jess stands up to him, demanding that two boys who tied in their heat both be allowed to run in the finals. Gary, angered, derisively suggests that perhaps Jess wants to let a girl run. Jess agrees and tells her she can run in his heat.
When the race begins, Jess is supremely confident and proud of the speed he's gained over the summer. He imagines everyone is watching in awe, noticing how much he has improved, but all of a sudden he senses a figure drawing close to him, then ahead of him. As the figure pulls across the finish line, he can see that it is Leslie.
Gary wants to kick Leslie out of the race now that she has had her chance and run in her heat, but she demands to run in the finals. Jess backs her up, despite his humiliation and disappointment, by challenging Gary and asking if he's scared to race her. Gary reluctantly agrees to let her race, and she wins the finals as well.
After the race Leslie tries to befriend him, telling him he's the "only kid in this durned school worth shooting," but he brushes her off brusquely, telling her, "So shoot me." He continues to avoid her throughout the day, and when he sees her running toward her home after school, in her graceful, rhythmic run, he shrugs off the admiration which wells up within him and turns homeward.
Analysis The theme of Leslie's androgyny, or rather, of her transcendence of gender limitations, is developed more fully here. She wins the race and demonstrates that she can outrun all the boys in the school. She has crossed over to the boys' side of the playground, which is taboo in Lark Creek Elementary. Symptomatic of the authorities' insistence on gender division, Gary warns her to get back over to the girls' side before a teacher catches her, but she ignores him and continues to break gender barriers.
However, her running is not simply meant to portray her as a tomboy. Although running athletically is often thought of as a masculine pursuit, Paterson is careful to convey the grace and beauty of Leslie's run, giving it a more feminine quality. Leslie blends traits of both genders seamlessly, which lends her individuality previously unheard of in the world of Lark Creek Elementary.
However, whether or not Leslie's speed is evidence of an aspect of masculinity or no, there is no question that Jess perceives her win to impugn his own masculinity. When Jess loses to her, he feels it to be a threat to his own tenuous sense of masculinity. This feeling worsens when he realizes he has lost a good chance to win his father's attention and affection. His instinctive dislike of Leslie is born of all these things. He has the sense that she is a dangerous interloper who will not fit in the standard mold, which is coupled with her defeat of him and the disintegration of his dreams.
Nevertheless, Jess's moral fortitude is demonstrated clearly in his response to her win. Rather than allowing Leslie to be kicked out of the finals, an action which would likely result in his own admission to the finals, as the second- place winner in his heat, and make it possible to attain his dream of winning, he instead insists that she run in the finals as well. His sense of pride may be one reason that he does this, but there is also the simple element of fairness involved. This is an early sign of the qualities that distinguish Jess from most of his peers. He has an inherent and developed sense of justice, an ability to care about others, and an uncultivated but nevertheless sharp intelligence. Jess stands in contrast to his schoolmates, and Leslie certainly stands out, and thus the two of them seem to stand united against the rest. The portrayals of their classmates are perhaps a little one-dimensional. The boys all seem somewhat dim and the girls somewhat catty. Paterson apparently does not mean to distinguish the general run of Jess's schoolmates on an individual basis, which gives one the impression that there's precious little individuality to be found in that school. Adrina posting here!
1E2, STUDY HARD FOR YOUR gEOGRAPHY TEST TOMMORROW:D Chapters will be tested are,Chapter4,5 and 11 Dun dissapoint Mrsim and for those who had read this post, take note: Remember to Bring a string and a protracter^^ it will be needed for the test.
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